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Volume VI, No. 6

Editorial Note

CROSSING THE FRONTIER

For almost a century “crossing the frontier” has been an almost omnipresent metaphor in poetic and intellectual life. That should not perhaps astonish us in the aftermath of a war

Current

MASS IMMIGRATION: COST OR BENEFIT?

1. IS IMMIGRATION A PROBLEM OR AN OPPORTUNITY? Although the present study frequently refers to Germany, I believe that my conclusions apply more generally to ageing European societies and to

RUSSIAN GAS IN EUROPE: END OF DEPENDENCE?

Europe’s dependency on Russian energy is sometimes presented as a largely unalterable fact of life when in reality there is much that Europeans can do to reduce this dependency and

1990

POWER AND ACTION – BETWEEN BETTER AND WORSE

Looking Back on the Regime Change of 1990 – from 1996 Keeping the third part of my Hungarian Review interview series on the governmental work of 1990 on the back

Histories

WAR AND ART – PART IV (3)

Memoirs of a Hungarian Childhood Part IV (3) It is instructive to compare Hitler and Churchill as boys in school. Churchill at St George’s School, Ascot (1884). Headmaster’s remarks. General

Arts and Letters

RUDDERLESS AND WITHOUT COMPROMISE

In 1975, I co-edited a book entitled Pesnici Vojvodine (The Poets of Vojvodina). The purpose of the book was to present poems written in the languages spoken in Vojvodina: Serbo-Croatian,

RUDDERLESS

Rudderless (Kormányeltörésben, 1971) is one of the truly great Hungarian poems written by my generation. Yet, it is hardly known by the wider public either in Hungary or internationally. István

TWO STORIES

MR CSATÁRI I waited eleven years for my first visa back to Hungary. To be more precise, for a permit to stay for two weeks, supplied on a purpose-designed form.

Letter To The Editor

LETTER TO THE EDITOR

Dear Gyula, For some time I have been meaning to write in order to commend you on the extraordinarily fine quality of the Hungarian Review. In issue after issue it brilliantly

Letter To The Editor

OUR AUTHORS

ISTVÁN DOMONKOS was born in 1940 in Zmajevo (in Hungarian: Ókér). He studied in Subotica (Szabadka) and Novi Sad (Újvidék), worked as a jazz musician, and was an outstanding member