A Play in Two Acts Act One Scene One A dismal office. Shelves up to the ceiling, several filing cabinets, a safe. Two desks with files piled up on each; a telephone on each, one telephone has a microphone and tape-recorder with a microphone attached to it. A smaller
Katalin Petényi and Barna Kabay have put together a series of nine films presenting some of the fundamental strands that link the cultures of Italy and Hungary. The tenth movie surveys the life and work of mystical painter Imre Ámos, while an eleventh in the series, directed by Bence Gyöngyössy,
For more than a century the complexity of Ödön Lechner’s experiment with a “Hungarian style” has generated fierce theoretical debates, often strongly influenced by contemporary politics. It is the sort of topic that inspires each new generation of scholars to explore anew the construction of nationalism in the fine arts.
BERNARD ADAMS was born in 1937 in the Black Country of the English West Midlands. Educated at King Edward’s School, Birmingham, he did his National Service in the regimental band of the Royal Scots Greys, then read Hungarian and Russian at Pembroke College, Cambridge. He was awarded an American PEN
Árpád Kadarkay, who became an ever-responsive reader, then a house author, then a personal friend of the Hungarian Review team, deceased in his home in Tacoma, Washington, USA, in late November 2015. Born in the village of Kesztölc, Hungary, in 1934, he lived through many hardships during the War and
Árpád Kadarkay, who became an ever-responsive reader, then a house author, then a personal friend of the Hungarian Review team, deceased in his home in Tacoma, Washington, USA, in late November 2015. Born in the village of Kesztölc, Hungary, in 1934, he lived through many hardships during the War and
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