HOW TO HELP REFUGEES – REALLY
Almost sixty years ago, four young Tory activists – Tim Raison, editor of a small conservative magazine; Christopher Chataway, a famous British athlete; Trevor Philpott, a journalist on Picture Post;
Almost sixty years ago, four young Tory activists – Tim Raison, editor of a small conservative magazine; Christopher Chataway, a famous British athlete; Trevor Philpott, a journalist on Picture Post;
The 2015 British election was a turning point for the Labour party from which it is hard to see it recovering in its present form. Moreover, there is no obvious
Most of the international media coverage of the European Union’s migration crisis concentrates on the flow of African and Middle Eastern people across the Mediterranean to southern Italy or Greece.
If there was any event in Europe that could have been foreseen, it was the Kosovo exodus which happened before our eyes this year. It is already taught at schools
While it is impossible and indeed unnecessary to debate humanitarian values, the problem-solving formula (something like infinity divided by 28) put forward by Brussels is far from incontrovertible. According to
It is important to draw a distinction between ideology and ideals. Ideology is a blinkered view of the world, and it results in people being under constant pressure to conform,
1 HR: We begin our interview on the 25th anniversary, almost to the day, that the government of József Antall was formed, the first democratically elected Hungarian Government since 1947.
The publication, in October 2014, of the volume of retrospective interviews with Miklós Németh1 by András Oplatka2 was met with considerable interest in Hungary, for a number of reasons. One
The widows of Kesztölc, guardians of faith and hope, may their true plain hearts in prayers and piety rest. Widows so alike, that none do slacken in piety, none can
Fishy Country Szakácsi, Hungary, 16 September 1414. On the shield below, flames lick the tail of a pike with sprigs of a bay bush poking out of its gills. The
Historically, the international acknowledgment of Hungarian artists has been regrettably poor. There have been attempts, from time to time, to remedy this situation – I myself have spent decades pursuing
PENDRAGONIA1(IN MEMORIAM KLÁRI SZERB)2 This story within a story is told as it happened, without frills and as close to the facts as the writer’s memory allows given the distance
OUR AUTHORS MARK ALMOND (1958). Oxford historian, he has written extensively on post-Communist crises from Bosnia to the Caucasus and comments frequently on international affairs in the British media. He
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