MALÉTER1 I saw you once, a lanky man,step outside Parliament, look round bewildered,and get in the car.Little did you knowit was your ride to lengthy execution,you gaunt insubordinate,who joined the tatteredand the mortifiedto lead themin this downtrodden landwhere only hangmenearn serene retirement.Even if you didhave a hunch– hailing from the pack
The new Kádár-led regime beginning with earl-mid November 1956 was faced with a pre-eminent political task connected with a defining historiographical one. The need for the new government to establish its legitimacy and authority was intricately tied to the interpretation of what they had replaced. Both tasks began as soon as the second and decisive Soviet intervention did. The Soviets, having since 1 November maintained the charade of negotiating withdrawal
The Power of the Powerless was written by Václav Havel in the summer of 1978 and began circulating in samizdat in 1979. It is justly famous for the influence it had in the decade leading up to the revolutions of 1989. Its central idea was “living in truth”, and it proved to be
In the pantheon of German literature Yevgeny Yevtushenko’s place is secure. For one simple reason: his poetry was translated into German by the Austrian genius Paul Celan. Yevtushenko will also remain in the history of music: his poems, including “Babi Yar” were the basis for Shostakovich’s 13th Symphony. But will his verse last in Russian poetry? That question relates to the artistic value of his poetry. As far as its political and social significance is concerned,
We have just passed an important anniversary, the 150th, in Hungarian history. On 8 June 1867, the Austrian Emperor, Franz Joseph, was crowned King of Hungary. It was a lavish ceremony, the great Hungarian aristocrats in their national finery, in Matthias Church, and Franz Liszt composed a mass for the occasion. After it, Franz Joseph mounted a horse, and galloped
If you had to name the icons or paragons who embody the idea of European culture for you, how many names would you come up with before remembering Leonardo da Vinci? Most people would certainly include him in their top ten, possibly five, and some would quite likely think of
Painting in Central Europe in the Era of Emperor Franz Joseph To celebrate the 120th Anniversary of its inauguration in 2016 the Budapest Art Hall (Műcsarnok) organised a Jubilee Exhibition focusing on its First Golden Age in the reign of Emperor Franz Joseph.1 The aim of this show was twofold: to demonstrate the extent of Budapest’s international artistic contacts2 and to show the
ISTVÁN ÁGH (Felsőiszkáz, 1938), poet, writer. He directed the poetry section of the literary monthly Új Írás, and later became editor of the monthly Hitel. An influential writer of his generation, Ágh created a remarkable oeuvre in the genres of poetry, prose and essay. Regular member of the Hungarian Academy of Arts. Prizes include: József Attila Prize (1969, 1980), Kossuth
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