Category: VOLUME IV, No. 3

Balkan or Balkans is an odd word. The term “Balkanise” is familiar to everybody far and wide, being used to designate a social process in which not merely is there a perceptible economic decline but also a coarsening of relations between people. It seeks to imply some kind of deterioration,

I’d like to present a new project that finds itself in the borderland – between literature, knowledge about literature and knowledge from the perspective of literature. The project is entitled “Beyond the Horizon of Europe” and it endeavours to tell about the place and the context. About a slightly different Belarusian literature – the literature that emerged in the late 1980s. But to tell it in a different way.Being

It is a long way from Transylvania to Hollywood. Béla Lugosi began as an uneducated extra and anonymous Hungarian bon vivant, but ended up as a Hollywood legend, writing film history as one of the world’s great mythmakers and horror movie stars. He played an immortal role, gave it his

Back when I was a student at the Dresden Institute of Technology in the 1970s, I rarely felt comfortable actually going to an area, ominously dominated as it was by derelict barracks and Russian military vehicles in the streets. There was one exception: the building of the former Saxon Cadet School. This was used as an officers’ mess for the

On 17 February 2013, the Museum of Fine Arts in Budapest closed the doors on its exhibition entitled Cézanne and the Past: Tradition and Creativity. With some 180,000 visitors, a 527-page catalogue of scholarly merit featuring articles by the big shots of Cézanne study, and a conference marshalling a bevy of additional invited specialists, the exhibition produced fresh results worthy of further