Thomas Cooper

Thomas Cooper

THOMAS COOPER is a professor of American literature and translation studies at Károli Gáspár University of the Reformed Church in Hungary. After completing his doctorate in comparative literature, he taught and pursued research as a fellow at the University of North Carolina, Columbia University, the University of Vienna, and the Collegium Budapest Institute for Advanced Studies. A member of the executive board of the International Association for Hungarian Studies, he has published extensively on Hungarian literature and literary history, and his translations of Hungarian prose and poetry have also appeared in the two Hungarian Review anthologies, Down Fell the Statue of Goliath – Hungarian Poets and Writers on the Revolution of 1956 (2016 and 2019) and A Nation Dismembered – The 1920 Treaty of Trianon in Hungarian Poetry (2019).

HUNGARIAN VOICES ON 1956: DOWN FELL THE STATUE OF GOLIATH

Why a collection of prose and poetry by Hungarian writers in English translation about the Revolution of 1956? By now, almost three decades after the fall of Communism, the meaning of 1956 is surely a relatively settled matter, however vigorously it may have been falsified for decades by the Kádár

POET BETWEEN LANGUAGES: ÁDÁM MAKKAI

From time to time Hungarians will speak with great pride of the many Hungarian scientists and artists who have won international fame. One thinks perhaps first and foremost of physicians (Ignác Semmelweis or Albert Szent-Györgyi), physicists (John von Neumann), mathematicians (Paul Erdős), and musicians (Béla Bartók, Zoltán Kodály). The case

TONAL INNOVATIONS IN FERENC LISZT’S EARLIER PIANO COMPOSITIONS

Over the course of the 20th century, and in particular in the latter half, Ferenc Liszt, who during his lifetime and even decades after his death had been known primarily as an unrivaled virtuoso, began to enjoy new fame as an innovative composer. Musicians and music historians began to discover

MUSINGS FROM NO. 19

In Defense of Tipping Physicians In recent years the practice in Hungary of routinely tipping physicians has come under much deserved criticism. The so-called “hálapénz rendszer,” or “gratitude money system” (though it is hardly sufficiently codified to merit the word “system”), originated under communism as a means of compensating for

HERTA MÜLLER: DEPICTIONS OF DISPLACEMENT

When Herta Müller was awarded the Nobel Prize for literature in 2009 the Nobel Foundation praised her for her power to depict “the landscape of the dispossessed.” Considering the role the Nobel Prize plays in the formation of a canon of world literature, it is perhaps not surprising that the

BOOKS RE-VISITED: TRANSLATING ZSUZSA RAKOVSZKY AND THE ART OF STORYTELLING

In his well-known book Postmodernism: The Cultural Logic of Late Capitalism, Frederic Jameson refers to the post-literacy of late capitalist culture as a condition in which literature can aspire to little more than the status of pastiche. All too self-conscious of the nature of writing as a tissue of citations, of