HOMEWARD BOUND – LUMINISM AND TRANSCENDENTALISM IN LÁSZLÓ PAÁL’S FONTAINEBLEAU FORESTSCAPES
László Paál (1846–1879) is renowned internationally as an extraordinary landscape painter, connected with the Barbizon School whose work had influence not only on his friend and compatriot Mihály Munkácsy, an extremly popular master in mid to late 19th century Paris, but also on Eugen Jettel, Emil Jakob Schindler, Max Liebermann